I have been working on Ruby’s wolf headdress or hat. This is a rough sketch of what I envisage, but I cant draw wolves… No matter, Maurice Sendak couldn’t draw horses and that didn’t stop him.
I have decided to make a separate piece for this, but getting the right shape is proving a challenge. Experiments so far have included using cardboard, chicken wire and polystyrene, to try and get the nose shape.
Johnny and I also took a very cool trip to Nelson Community Art Works, an amazing art centre run by Faye and Karl Wulf, where they make incredible masks and other art from paper mache.
Alas, not a wolf in site, but we did meet some amazing Burtonlings, hares, and a very cool unicorn with his friend the Cheshire cat.
I have been preparing for my seminar for Visual Culture, which is based on Jung’s process of Individuation. This involves meeting the shadow and dealing with it. I found this video by The Family Band. Fab video and for me it totally illustrates the whole shadow story.
I started to make Ruby more beastly looking today, but I made a mistake of rushing the process in time for the formative assessment tomorrow. I created her ears ok, but then I applied wet wallpaper paste and tissue paper to the dried Ruby head and of course it soaked through the dry stuff and she ended up a bit if a mush. :(
I dried her with a hairdryer and added more foam inside, sort of like botox, to push her nose and lips back out. I also experimented with making the wolf hat that will go on top of her head, but didn’t get too far with that. I kind of managed to resue her but as you can see from the photo below she is rather battered looking. Still I quite like the texture of the new tissue as it looks fur-like. I was going to beastify her anyway so I guess it is not too much of a disaster.
Lesson learned… wet wallpaper paste on top of dry paper mache is a BAD idea!
I spent a couple of hours today working on Ruby and her antlers. I had to carve out a polystyrene ball and insert in inside her head to hold them in place. It will still need some weighting though.
The images below show the various branches I tried. The one I really loved was way too large in the end for the scale of the head but I am pleased with how she looks now, which is the image on the bottom right.
Ok sorry for that pun there, but meet Ruby… the beginnings of my trophy…
Ruby is created from tissue paper and wallpaper paste around a rubber mold of a head. Removing her from the head mold involved a bit of a frontal lobotomy, but she looks great. I am going to be beastifying her up somehow, to give an anthropomorphic look.
This morning the Level 7 guys n gals came into our lowly space to join in with our critique. I love it when we all get together, sadly it doesn’t happen enough. Our group was rather low on numbers as three of the students were absent, (there are 57 varieties of bug going around at the moment), but it was still very cool.
I went for a cold read and the feedback was really good. Most of the group got the anthropomorphic angle, and none of them mentioned Little Red Riding Hood! I was pleased about that, as it means that my own story is coming through now. I had some interesting discussions about theorists too. I hope to have further chats with the 2 students from Level 7 particularly, as we had lots in common. My favourite comment from a Level 7 student was:
Oh my God, I wish I had a mind that worked like yours
I do feel blessed to have such a quirky outlook on life, I have to admit. But then how could I be any other way? It would be enlightening to swap minds with someone else for a day though, imagine that!! Anyway back to the critique…
All of the group loved my book: Wolves Are People Too, which gave me a buzz. I am always amazed when people enjoy and get my art, especially something like a book, which has to work on many levels. This book may not end up being part of my final work for this project, but I am carrying on with the theme next year and I may produce a series of books. I was thinking along the lines of picture books for bigger people.
No suggestions of improvement were out forward, so I will carry on and have more faith in myself, my ideas and my odd mind!
I spent the whole of today reading, Googling, listening and watching everything I could about this guy, and I have ordered his book Re-Visioning Psychology, which is mentioned in the YouTube clip above. I even got to look at his birth chart, courtesy of these video’s by Richard Tarnas, who incidentally does seem to share a lot of Hillman’s beliefs.
I am really quite blown away by Mr Hillman. He thought in a way that I believed no one did anymore. He spoke of the Anima Mundi, the soul of the world, an idea that I think originated with Plato. Soul of the world is a concept that I haven’t heard anyone speak of by name maybe ever. Soul is like a dirty word today it seems, its kind of like he who must not be named, in the Harry Potter books. Time we started talking dirty I think.
One really thing that struck me, in one of the clips I watched, was when he spoke of his time in analysis with Jung. He talked about how Jung was such a big man, and his aura was so powerful, so intense, that he knew he could not continue analysis with him, for fear of being swallowed up. I have never heard Jung described in this way before, no wonder he had such an effect on the world. Still, great as Jung was, Hillman takes his depth psychology even further.
I have a long way to go, and a lot of reading to do with James Hillman, I am sorry I discovered him after he died, (in 2011), but I think he is tapping my shoulder from somewhere.
I am not sure if fairy tales make children intelligent, but it certainly gives them a basis for working out feelings. They are a wonderful way of comparing a situation in the child psyche, with a resolved story. The child knows it will all be ok. A great of this, is Maurice Sendak’s Where the Wild Things Are.
Image retrieved on 12/9/14 from: http://tinyurl.com/mjx39od
Today in studio I was experimenting with large, shadow like drawings of wolves. I quite like the idea of drawing these directly on the wall of the exhibition space. I would ideally like to project them as shadows on the wall but given the fact that it will be a joint exhibition this could be difficult. I talked about this with my tutor, Will, and we discussed creating an enclosed space which would eliminate ambient light. It would involve having a viewing gap though which would create more of a voyeur effect which I don;t really want.
I think this vague shadow drawing is actually quite effective and can imagine it larger on a wall. I believe it would look pretty neat with the tree branches around it. I will have to experiment in the studio. I am running out of space with all my trees and branch antlers!